Just when you think you're in the clear, you never know what could come next.

Rumi, a phone sex operator making ends meet, falls for her most challenging client yet: Ryo, a young man who transforms into a monstrous beast when he's aroused. But Rumi’s not the only one with her eye on the cursed caller.

A desperate socialite seeks her missing husband, troubled by bad investments and debts, with help from a private eye and the high-priced call girl hubby had been seeing.

Recent MIT grad Matt Franklin should be well on his way to a successful career at a Fortune 500 company, but instead he rebels against maturity by taking a job at a video store. Matt rethinks his position when his unrequited high-school crush, Tori, walks in and invites him to an end-of-summer party. With the help of his twin sister and his best friend, Matt hatches a plan to change the course of his life.

Two friends who run an online channel have embarked on the strange and unusual for years when they decide to search the deep underbelly of the dark web for something known as Dark Web Mystery Boxes. Soon they find themselves stalked by a group who run online torture rooms known online as Red Rooms.

They love me / They love me not / They love me recalls a childhood ritual of seeking emotional certainty in an uncertain world. In an era of digital, emotional and urban noise, the film offers a slow, physical meditation on how we hold complexity. Performed by Juno award-winning musician and composer Ben Brown, the film helps us re-imagine the modern drum solo by using movement to communicate the energy of sound. 　　Filmed in Vancouver, BC’s Downtown eastside the film traces a journey from the streets to the studio. Sounds spill from the drum kit into the streets playing with our perception of noise, disorder and sacred space. The contrast between Vancouver’s raw street energy and the sterile stillness of the studio raises critical questions about how the broader world lives inside us—even in our most private rituals. A mostly improvised performance, this piece seeks to find solace in the unknown by asking not “who loves me?” but: “how do I live with the not knowing?”

Dinner for Five is a television program in which actor/filmmaker Jon Favreau and a revolving guest list of celebrities eat, drink and talk about life on and off the set and swap stories about projects past and present. The program seats screen legends next to a variety of personalities from film, television, music and comedy, resulting in an unpredictable free-for-all. The program aired on the Independent Film Channel with Favreau the co-Executive Producer with Peter Billingsley.The show format is a spontaneous, open forum for people in the entertainment community. The idea, originally conceived by Favreau, originated from a time when he went out to dinner with colleagues on a film location and exchanged filming anecdotes. Favreau said, "I thought it would be interesting to show people that side of the business". He did not want to present them in a "sensationalized way [that] they're presented in the press, but as normal people". The format featured Favreau and four guests from the entertainment industry in a restaurant with no other diners. They ordered actual food from real menus and were served by authentic waiters. There were no cue cards or previous research on the participants that would have allowed him to orchestrate the conversation and the guests were allowed to talk about whatever they wanted. The show used five cameras with the operators using long lenses so that they could be at least ten feet away from the table and not intrude on the conversation or make the guests self-conscious. The conversations lasted until the film ran out. A 25-minutes episode would be edited from the two-hour dinner.

Dinner for Five is a television program in which actor/filmmaker Jon Favreau and a revolving guest list of celebrities eat, drink and talk about life on and off the set and swap stories about projects past and present. The program seats screen legends next to a variety of personalities from film, television, music and comedy, resulting in an unpredictable free-for-all. The program aired on the Independent Film Channel with Favreau the co-Executive Producer with Peter Billingsley.The show format is a spontaneous, open forum for people in the entertainment community. The idea, originally conceived by Favreau, originated from a time when he went out to dinner with colleagues on a film location and exchanged filming anecdotes. Favreau said, "I thought it would be interesting to show people that side of the business". He did not want to present them in a "sensationalized way [that] they're presented in the press, but as normal people". The format featured Favreau and four guests from the entertainment industry in a restaurant with no other diners. They ordered actual food from real menus and were served by authentic waiters. There were no cue cards or previous research on the participants that would have allowed him to orchestrate the conversation and the guests were allowed to talk about whatever they wanted. The show used five cameras with the operators using long lenses so that they could be at least ten feet away from the table and not intrude on the conversation or make the guests self-conscious. The conversations lasted until the film ran out. A 25-minutes episode would be edited from the two-hour dinner.

Rising executive Tim Conrad works for a boss who hosts a monthly dinner in which the guest who brings the biggest buffoon gets a career-boost. Tim plans on not attending until he meets Barry, a man who builds dioramas using stuffed mice. Barry's blundering but good intentions send Tim's life into a downward spiral, threatening a major business deal and possibly scuttling Tim's engagement to his fiancee.

Two young men, one in need of medical attention, are cryogenically frozen in the early 1960s. The two are preoccupied with the fact that the police are pursuing them to realise what they are doing. The next thing they know is that they are in a strange new world (thirty years on).